As the film opens, we see a young girl (actress Oona Laurence) wearing a period dress and humming absent- mindedly to herself as she strolls down an oak- lined alley. In the distance, cannon echo. She pays them no mind. A subtitle tells us the film is set in Virginia in 1.

• From its very first scene, writer-director Sofia Coppola's "The Beguiled" is a study in storytelling efficiency. As the film opens, we see a young girl (actress Oona.
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With that momentary image, and without so much as a single line of dialogue, Coppola has established the when, where and, to an extent, the who of her film. It is set in the South, it takes place well into the Civil War - - or at least far enough along in the war to the point that booming cannon are common enough to be casually overlooked by a young girl, blending into the aural environment along with bird songs and cicada calls - - and it is a story about a young Southern woman. As the film goes on, we learn it's actually the story of a handful of Southern women - - and, significantly, one man - - but with that shot, Coppola demonstrates the power of a well- considered image. From there, her . Here's a period drama from a decorated filmmaker that clocks in at a trim 1 hour 3. It doesn't need to be any longer than that, and so Coppola doesn't make it any longer than that.

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I can name at least a dozen filmmakers off the top of my head who could take that lesson to heart. Based on the book .

Cullinan, Coppola's . That's true despite the fact that the undergirding story is largely the same. It's set at the Farnsworth Seminary, a school for girls in Virginia that - - with the war raging around it - - is a shell of its former self. Not only is the school building in disrepair, but most of the girls have gone home for the duration.

Left behind is its no- nonsense headmistress, Miss Martha, played by a suitably stern Nicole Kidman; a naive junior teacher played by Kirsten Dunst; and a handful of students of varying ages, from a 1. Elle Fanning to the 1. Laurence. As if those booming cannons aren't reminder enough of the proximity of the ongoing conflict, Confederate patrols pass by regularly, warning the women to be on the lookout for Union soldiers who might be on the run and hiding in the woods surrounding the school. As it turns out, just such a soldier is lurking about, a gravely wounded man named Col. John Mc. Burney (Colin Farrell), who is discovered in the film's opening scene by Laurence's big- hearted, big- eyed character, Amy. Wisely, Coppola avoids making Farrell's Mc.

Burney the overt cad that Eastwood's was. When Amy brings him back to the school grounds, Kidman's Miss Martha feels obliged to care for his wounds - - but, she makes it clear, only until the next Confederate patrol passes. That decision saves Mc. Burney's life. It also gives him enough time to turn on the charm and work his way into the heart of every woman at the school, young and old alike. Just like that, the group dynamic takes a dramatic turn. Without saying too much, so does the movie, eventually. What started out as a period melodrama quickly becomes a thriller with Gothic horror notes.

While it doesn't resonate with depth or unforgettable emotion, it is an engrossing and well- told yarn. Some have criticized Coppola's film for excluding black characters from the film, most notably a slave character that was part of Siegel's film. But while it's set in the Civil War- era South, it's important to realize that this isn't a movie about race. It's a movie about gender.

Because slavery isn't an issue that can, or should, be addressed casually, Coppola made the decision to streamline the story by avoiding it all together and focusing instead on what she saw as the key conflict: the upheaval that results when the presence of a man is introduced to a group of bored, lonely women. That decision obviously doesn't sit well with everyone - - the word . That contributes to the film's overall atmosphere, which populates the film like another character.

While Siegel's film oozes masculinity, Coppola's film - - like the house at its center, and even Kidman's character - - is steeped in a decayed elegance that feels perfectly suited to a film set in the war- ravaged South. Last Month, Coppola was named best director at the prestigious Cannes Film Festival for her work on . We're only halfway through the year after all. 1080P Hd Video Download SPF 18 (2017). Either way, this much is true: . Colin Farrell stars in the Eastwood role this time, playing a wounded Union soldier who is reluctantly taken in by the headmistress of a Southern boarding school for girls, prompting all manner of romantic complications. What works: In addition to its fetching visuals and strong performances, it's built around an engaging and efficiently told story. What doesn't: While engaging, it doesn't necessarily resonate with depth or unforgettable emotion.

Cast: Farrell, Nicole Kidman, Elle Fanning, Kirsten Dunst, Angourie Rice, Addison Riecke, Emma Howard. Director: Coppola.

MPAA rating: R, for some sexuality. Running time: 1 hour 3. Where: Find New Orleans showtimes.