• We've added more! Here are 70 movies that really manage to give us the creeps.
• BELOW HER MOUTH is a bold, uninhibited drama that begins with a passionate weekend affair between two women. Dallas, a roofer and Jasmine, a fashion editor, share a.

Creepy isn’t the same as scary. Films can be scary simply by using loud noises and sudden movements to make their audiences jump; they can play on primal fears and physical reactions to give you a thrill. But creepy is harder to pull off. To be effectively creepy, a film needs to establish a certain atmosphere; it needs to draw you in and make you care. It needs to give you something to think about when you’re trying to drop off to sleep at night; to make you wonder whether that creaking noise down the hallway was just the house settling, or something lurking in the shadows. Creepy stays with you.

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It gives you goosebumps. I love most kinds of horror movies, but creepy films are probably my favourite. Or rather, my least favourite, because they give me nightmares and make me paranoid and afraid to look into mirrors in the dark.

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But I love . Here are 7. Enjoy the nightmares. Mr Jones (2. 01. 3)Nobody knows who Mr Jones is. The artist is a recluse, but his bizarre sculptures have made him world famous. When a documentary maker and his girlfriend stumble across what looks like his workshop, they become obsessed with finding out the truth about Mr Jones, but the truth isn’t particularly easy to stomach. One of the most stylishly shot found footage movies you’ll ever see, the makers know the rules of the genre well enough that when they break them, it adds to the story rather than detracting from it. Also, those scarecrows are petrifying.

Under The Shadow (2. Set in war- torn Tehran in the late 1. Under The Shadow sees a would- be doctor battling the forces of evil for her daughter (and her sanity) even as everyone around her flees to safer ground. The juxtaposition of earthly and unearthly threats makes this a uniquely terrifying film, and Shideh (Narges Rashidi) is a wonderfully complex and sympathetic heroine. Not many films could make a sheet of printed fabric terrifying, but Under The Shadow manages it. Gaslight (1. 94. 0)Bella (Diana Wynyard) thinks she’s losing her mind. She keeps losing things, and the lights in her house seem to flicker, even though her husband Paul (Anton Walbrook) tells her he can’t see anything wrong. The Full Escapes (2017) Movie.

Plus there are those footsteps upstairs. Walbrook does sinister like no- one else. The Clairvoyant (1. Maximus, King Of The Mind Readers (Claude Rains) performs amazing feats of clairvoyance on stage every night in front of adoring audiences. The problem is, it’s fake – the mind- reading is all done through a secret code Maximus has invented to communicate with his assistant wife, Rene (Fay Wray). But one night, he meets Christine (Jane Baxter), and his abilities become real.

He really can predict the future. If you’ve already guessed that’ll turn out to be more of a burden than a gift, you’re right. Gorgeously shot, wonderfully acted, this is a creepy delight. Sleep Tight (2. 01. The second Jaume Balaguero film on this list is just as bleak and horrifying as the first: Sleep Tight sees a concierge secretly breaking into the homes of the people he’s supposed to serve to try to make them as miserable as he is.

When Cesar (Luis Tosar) finds one tenant is harder to upset than the others, his behaviour escalates until he’s committing unimaginably grotesque crimes against the poor girl. The ending will have you shuddering in your seat. Dead Of Night (1. Probably the best horror anthology ever made, this Ealing Studios production includes five individual stories and one wrap- around narrative.

The wrap- around sees a consultant arrive at a country home only to find that he recognises all of the guests at the house – he’s seen them all in a dream. Spooked, the guests start recounting their own stories of the uncanny, each more unnerving than the last. Well, except for the one about the golfers, but that one’s just there for light relief before the film hits you with the scariest ventriloquist’s dummy ever committed to film. Just excellent, all round.

Nina Forever (2. 01. Rob (Cian Barry) can’t get over his ex- girlfriend. Nina (Fiona O’Shaughnessy) died in a car crash, which is bad enough, but when he tentatively begins a relationship with his co- worker, Holly (Abigail Hardingham), he finds himself haunted by Nina. She materialises in his bed every time he and Holly have sex – she might be dead, but she’s not letting go.'Creepy' doesn’t feel like a strong enough word to describe this film – 'devastating' might do it. It’s a sensitive and horrifying portrayal of grief, with a sense of humour as dark as the inside of your eyelids, and some extremely upsetting gore.

Brilliant, but not one for the faint- hearted. Robin Redbreast (1. When she moves away from London to a tiny country cottage, Norah (Anna Cropper) expected the change to be a bit strange, but nowhere near as weird as it ultimately turns out to be. As she gets to know the locals, she finds herself being pushed towards a relationship with karate- loving Rob (Andrew Bradford), and while she’s initially game, she soon discovers that her choices are being made for her.

It’s a little bit Wicker Man, a little bit Rosemary’s Baby, and a lot of creepiness. The Masque Of The Red Death (1. A tyrannical landowner is plagued by, well, a literal plague in Roger Corman’s adaptation of an Edgar Allan Poe story. Vincent Price plays the Satanic Prince Prospero, who rules over his village with an iron fist, condemning people to death for the mildest offence and abducting any woman who takes his fancy, but all of his evils come back to haunt him when he throws a masked ball and Death shows up. Fittingly, it’s got the hallucinogenic quality of a fever dream, and the various incarnations of Death are wonderfully creepy.

As Above, So Below (2. A group of explorers heads deep into the Paris catacombs, only to find they’ve gone a little too deep and stumbled into an alternate dimension that might actually be Hell.

It’s a brilliantly over the top concept, and the way it plays out is incredibly eerie. Yes, it’s found footage, and yes, it’s a little bit on the silly side – it chucks in quotes from Dante and a few too many sad- faced ghosts – but some of the scares along the way are properly frightening. Suspend your disbelief and let it freak you out.

Oculus (2. 01. 3)Eleven years ago, Alan (Rory Cochrane) bought an antique mirror. According to the police, they were murdered by their 1. Download Justice League (2017) Movie Now. According to their daughter, the mirror is haunted, and something supernatural caused their deaths.

Now Tim (Brenton Thwaites) is out of prison, Kaylie (Karen Gillan) wants to prove he was innocent by conducting an experiment on the mirror. The way director Mike Flanagan plays with reality, building unbearable uncertainty through camera angles and false memories, makes this film both incredibly scary and impossibly sad. The Witch (2. 01. After being cast out of a New England plantation for not interpreting scripture in the same way as the colony’s elders, a family strikes out alone, and soon discovers how inhospitable their unfamiliar new home country can really be. The Witch is a period piece, and the language is suitably archaic, but don’t let that put you off: it’s a brilliantly chilling portrayal of Puritan life, where belief can mean the difference between life and death, and horror is only ever one failed crop away. The Amityville Horror (1. The Amityville Horror is the haunted house story.

If you were only ever going to watch one haunted house movie, it should be this one, because this is the archetypal story: a family moves into a house where horrible murders happened, and then bad things happen to them. It manages a lot of things later imitators didn’t, though, which is that it makes the Lutzes’ decision to buy the house make sense, and also builds the horror slowly, so that they almost don’t notice when the things going wrong in the house switch from annoying niggles to outright horror. If you’ve moved house in recent memory, this one’ll hit you where it hurts.

The Conjuring (2.