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Year Film Subject(s) Lead actor or actress; 1990: An Angel at My Table: Janet Frame: Karen Fergusson (child), Alexia Keogh (adolescent) and Kerry Fox (adult). Archaeologists have previously posited that Italian wine production started around the Middle Bronze Age, or 1300-1100 BCE. In 2015, researchers at the University of. Before he paired up with Cheech Marin to become one-half of the popular 70s comic duo Cheech & Chong, Tommy Chong had already experienced quite a lot of success in. L'agenda comprend les manifestations proposées par les institutions communales, ainsi que les événements et activités organisés par les associations sur le.

Italians Have Been Getting Blitzed on Wine for a Very Long Time. When we think about wine in Italian history, we think of the booze- soaked bacchanalias of ancient Rome. But it turns out that Italians were using wine to get their drunk on long before that, as evidenced by an exciting new discovery of the region’s oldest vino near a Copper Age site in Sicily. It’s a spicy meatball indeed. In a study published in Microchemical Journal, the researchers describe their big find: a jar dating back to the early 4th millennium BCE. After chemically testing the piece of pottery, the team found traces of tartaric acid, which is one of the main acids in wine.

Its salts—called tartrates—were also found in the jug. Archaeologists have previously posited that Italian wine production started around the Middle Bronze Age, or 1.

BCE. In 2. 01. 5, researchers at the University of Cagliari found 3,0. Vernaccia and Malvasia grape seeds in Sardinia, proving Italian wine production has been around for an incredibly long time. To this day, it’s one of the top wine producers in the world in a neck- and- neck competition with France.

Last year, it produced 1. CBS News. While we know that there’s nothing like a nice vintage, maybe Bronze Age- era wine would be a bit too full- bodied. But to my fellow Italian- Americans (and Italians all over the world), I say salute!

Alternative News and Views, Reported by Agents Around the World, 24 hours a day.

Telegraph. From 'Psycho' to 'Some Like it Hot', from Mozart and Wagner to Rodgers & Hammerstein.. Probably not. From the goofy Lonely Goatherd to the elegiac Edelweiss, via the soaring title song, The Sound of Music is as invigorating as an Alpine climb. The Harder They Come. Various, 1. 97. 2Jimmy Cliff's buoyant title track and You Can Get it if You Really Want are the evergreen hits that helped turn pop audiences' ears to reggae, but the supporting acts, The Maytals and The Slickers, provide the mournful magic here. Trouble Man. Marvin Gaye, 1. There's only three things that's for sure: taxes, death and trouble,' Marvin Gaye sings on the opening track of this noirish, nervy and mainly instrumental soundtrack about a tough private detective. Diva. Vladimir Cosma, 1.

Cosma's score, for a slick, super- stylish thriller about an opera singer who refuses to be recorded, introduced a new kind of ambient, keyboard- driven cool to soundtracks. That Summer! Various, Arista, 1. The cream of Britain's original burst of post- punk chart stars - Ian Dury, Elvis Costello, The Only Ones, The Undertones - plus American interlopers (Patti Smith, Richard Hell) get their hits out. The Payback. James Brown, 1. Brown recorded his first great soundtrack for the gangster street saga Black Caesar. A sequel followed, but the director Larry Cohen rejected Brown's music - because it didn't sound like him.

Brown released it as 'The Payback', an epic much- sampled eight- track double album that many regard as the funkiest thing ever recorded. Help! The Beatles, 1. The Beatles spread their wings, from Lennon's Dylan- influenced You've Got To Hide Your Love Away to Mc. Cartney's orchestral manoeuvres for Yesterday.

Faultlessly Fab. Tommy. The Who, 1. 97. 5Surely the weirdest and most wonderful of all rock- opera movies, Tommy has the lot: Aretha Franklin, Keith Moon, Elton John.

Epic ain't the half of it. Grace of My Heart. Various, 1. 99. 6The film may have verged on parody, but its soundtrack of 1. Phil Spector project. Kill Bill: Vol 1. Various, 2. 00. 3Quentin Tarantino's vinyl dealer does it again, throwing together Nancy Sinatra, panpipes, a 1.

Latin version of Don't Let Me Be Misunderstood and a badass piece called Battle Without Honour or Humanity. Once Upon a Time in the West. Download Kong Skull Island (2017) Movies there.

Ennio Morricone, 1. The Michelin- starred masterpiece of spaghetti westerns found its musical match in Ennio Morricone's quirky, creepy and sweepingly emotional score. The Godfather IINino Rota/Carmine Coppola, 1. Just as Francis Ford Coppola's sequel is even more nuanced and resonant than The Godfather, so its score - in which Nino Rota's haunting theme is supplemented by new pieces by Coppola's father, Carmine - is even better.

American Graffiti. Various, 1. 97. 3For an unapologetically slight slice of nostalgia about the mythic power of rock?'n'? American Graffiti had a massive impact.

Its big, brilliant soundtrack of jukebox classics did all the work for it. Wild Style. Various, 1. Rap's Rock Around the Clock mythologised graffiti writers, downtown DJs and New York's emerging street sound. Its soundtrack captures the excitement and creative power of hip- hop's primal scenes. Pat Garrett and Billy the Kid. Bob Dylan, 1. 97.

Dylan's lazily strummed soundtrack, where banjos bounce and Knockin' on Heaven's Door makes weariness sound wonderful, spoke volumes. Pulp Fiction. Various, 1. Classics from Kool and the Gang, Dusty Springfield and Al Green are accompanied by lesser- known, but no- less- great, soul- 'n'- surf grooves and snippets of Tarantino dialogue on this definitive document of 1. One from the Heart. Tom Waits/Crystal Gayle, 1. Tom Waits writes beautiful songs, but makes a racket when he sings them.

Here he sticks to the piano and lets Gayle sugar- coat his picaresque brand of romance. The Mission. Ennio Morricone, 1. Roland Joffe's epic historical tale starred Robert De Niro and Jeremy Irons and some glorious scenery, but still owed its emotional impact to Morricone's cascading score. Alfie. Sonny Rollins, 1. Cilla's great version of the title song doesn't feature on this record, but Rollins's saxophone makes up for it.

His riffs on the Bacharach- David scene are definitively swinging and Sixties, but somehow timeless, too. Where Eagles Dare.

Ron Goodwin, 1. 96. Broadsword calling Danny Boy.' The cable car scene. The fabulous Clint Eastwood/Richard Burton double act. And Ron Goodwin's ominous, brass- heavy score. A combination so perfect you can't see this film too many times. The Lord of the Rings trilogy.

Howard Shore, 2. 00. Listen to just a few bars of Howard Shore's epic Wagnerian score and you're back there: revolting orcs, improbably gorgeous New Zealand landscapes, hairy- footed Hobbits, 'My Precious', the luminous Arwen? For most of the early 1. England, it used Nyman's music written for Greenaway's first (and only) really popular film. Breakfast at Tiffany's. Henry Mancini/Johnny Mercer, 1. Moon River is now better known than the film it first appeared in.

It's sung by Audrey Hepburn, who said, when a studio executive tried to have it cut, 'over my dead body'. Secrets and Lies. Andrew Dickson, 1. Yes, yes, excellent directing and acting, brilliant dialogue.

But take another listen. Download Wonders (2015) Movie Tumblr. The music, plastered over almost every join, is a match for all that happens on the screen.

Sinewy, achey, stringy. Perfectly moving with the scenario. Withnail and IDavid Dundas, 1.

Because it was produced by George Harrison, Withnail and I remains one of few films with licence to include a Beatles track (While My Guitar Gently Weeps). The achingly elegiac score is the work of Lord David Dundas, the son of the Marquess of Zetland. Ghost World. Various, 2. It begins with a rumbling, jangling 1. Bollywood dance number, Jaan Pehechaan Ho, but Terry Zwigoff's film mostly noses around the world of blues, jazz and calypso from the 1.

Dr No. Monty Norman/John Barry, 1. The film that introduced not just the 'dang danga dannnng dang dang dang dang' James Bond theme, but also Honey Ryder singing Underneath the Mango Tree.

Goldfinger. John Barry, 1. So perfectly judged are all John Barry's Bond scores that they could fill half this list. But this, performed by Shirley Bassey, is surely The One. Midnight Cowboy. John Barry, 1. Long after people have forgotten this Oscar- winning period piece starring Jon Voight and Dustin Hoffman, they'll still be humming the theme tune. Chariots of Fire. Vangelis, 1. 98. 1Quite what a 1.

New- Agey Greek composer had to do with British athletes in the 1. But golly, it worked! The Magnificent Seven. Elmer Bernstein, 1. Whenever there's a Simpsons episode with a western theme, the music it uses is Elmer Bernstein's swooping, stirring orchestral score for The Magnificent Seven. That's how definitive it is. Gladiator. Hans Zimmer and Lisa Bourke, 2.

A bit Spanish, a bit North African, a bit weirdo, a bit Holst, this is unlike the music you'd expect in a film set in Imperial Rome. E. T. John Williams, 1. As with so many Williams scores, resistance to the E. T. Every time you hear it, you think of E. T. And you want to cry. Jaws. John Williams, 1.

Duh dum. Dumdumdumdumdumdum?? Vangelis did. Trainspotting. Various, 1. 99. 6Unlike Irvine Welsh's sordid novel, the Danny Boyle film version made heroin look rather fun - aided by a stonkingly cool, mostly upbeat soundtrack including Iggy Pop, Leftfield and Underworld. Assault on Precinct 1. John Carpenter, 1. Carpenter's tense thrilling urban classic about a lonely cop station holding out against villains was rendered all the more scary by the moody, hugely influential, minimalistic synthesiser soundtrack.

The Dambusters. Eric Coates, 1. Eric Coates had just composed a march in the style of Elgar's Pomp and Circumstance when the call came from the producers: did he have anything suitable for their new film, The Dambusters? The Ipcress File. John Barry, 1. 96. Cynical, downbeat, unheroic, The Ipcress File was the thinking man's anti- Bond. So, too, was John Barry's sinuous, slyly menacing score.

Reservoir Dogs. Various, 1.