While some sci-fi outings become instant classics, others fade from view. These movies deserve masterpiece status. Talk about job perks. Disneyland is in the middle of building Star Wars: Galaxy’s Edge, and to celebrate the construction of the area’s tallest peak, all Disney. Greetings, my Westerosi window envelopes! As you can probably guess, last week’s episode of Game of Thrones—and its increasing dominance over the pop culture.

Overlooked Sci- Fi Movies You Need To See. With Star Wars revived, Star Trekrebooted and more installments of the Alienseries on the way, science fiction reigns at the box office. In an era of computers, smartphones, Siri, and digital everything else, technology shapes our lives more than ever before, and moviegoing audiences have more of a taste for the fantastic and surreal images of sci- fi than ever before.

Sci- Fi movies, are, of course, nothing new. Watch Strange Weather (2017) Online For Free here. Since the earliest days of film, directors and writers have tried to explore new realities by mixing tech and fiction. While some sci- fi outings become instant classics, others fade from view.

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For a select few, that’s a disservice. Some films like Tron, Blade Runner, or The Thing fell through the cracks and audiences of their time dudn’t connect with them. One of the many virtues of home media is that it allows cinephiles, like those of us here at Screen.

Rant, to go back and reevaluate movies that get overlooked during their box office run. The titles contained herein didn’t attract audiences of their day, or fell out of the public consciousness. That’s a shame—each one is a masterpiece of sci- fi cinema in its own right. Think you know them? Check out our list of The Greatest Overlooked Sci- Fi Masterpieces. Brazil. Terry Gilliam gets little respect in Hollywood as a visionary director, which is our loss.

The man has made some spectacular films, including the little- seen masterpiece Brazil. A sort of dark comedy take on Orwell’s 1. Bob Hoskins, Robert De. Buy The Third Man 1949 (2015) Movie Online. Niro, Jim Broadbent, and—in a rare leading role—Johnathan Pryce.

Set in a weird dystopian future populated by skyscrapers, secret police and a lot of air ducts, Brazil follows one man’s obsession with finding the woman of his dreams. Sporting astonishing art direction, and a script that plays even more timely in a world of paranoia (the movie’s take on terrorism is especially prophetic, and hilarious), Brazil confused audiences in 1. Unlike that novel, Brazil sees its ending as a happy one, owing to a frequent theme in all Gilliam’s work: crazy people are the happiest in the world! The Fountain. Darren Aronofsky puzzled audiences and critics alike with his enigmatic The Fountain. Viewers were divided in their opinions of the film, regarding it as a modern masterpiece or a bombastic work of ego.

In truth, it’s probably both. Regardless, The Fountain holds a special distinction among modern sci- fi, as it doesn’t feature superheroes, space battles, or aliens. Instead of venturing into far outer space (though it does feature scenes in space), it probes human history and the depths of the human spirit.

Set in three separate time periods, it features conquistadors searching for the fountain of youth, a man mourning his dying wife, and a bald guy eating a tree in space. It’s that kind of movie. What’s really going on here? Are the couples reincarnations of one another? Parallel lives lived in parallel universes? The dreams of one another? Like the visual poetry of 2.

A Space Odyssey or Mulholland Drive, just when The Fountain seems poised to reveal its secrets, it recoils into an enigma. Cube. This little seen sci- fi thriller became an instant cult film when it debuted in 1. Shot on a single set with a group of unknown actors, Cube finds its characters kidnapped and held in a giant series of connecting cube rooms.

How did they get there? What is the function of the cube? And how can they escape? Cube adds tension to the proceedings by introducing a group of unstable characters, any of whom could end up dead at any time.

The lack of stars in the cast only underlines that anything- goes quality. A higher- profile film with big- name actors in the leads would telegraph to the audience that their characters would live through, at the very least, most of the movie. Director Vincenzo Natali crafts a latter- day masterpiece using a simple sci- fi premise and building a mystery as frightening as it is captivating. The film also proves that even sci- fi movies don’t need ridiculous budgets or special effects to achieve greatness. Contact. Audiences that saw Robert Zemeckis’ Contact in 1. The film did well at the box office but, though Oscar buzzed, he didn’t grant the film any major nominations. Maybe viewers accustomed to bloated space operas couldn’t stomach the film’s subtlety.

Based on the novel by astronomer Carl Sagan, Contact follows a brilliant scientist obsessed with discovering alien life. She discovers an ominous radio signal containing instructions to a mega- machine and the world goes nuts. What does the machine do? What do the aliens want?

And how can humanity adapt to knowing that it is not alone in the universe? Contact takes a realistic examination of the current state of civilization, and asks stark questions about how man would react to contact with aliens. In a post “War on Terror” world, certain developments that seemed ridiculous in 1. Thoughtful, endlessly provocative, and utterly captivating, Contact deserves mention alongside classics like 2. Close Encounters of the Third Kind as a seminal sci- fi masterpiece. Dark City. Viewers who have taken in Alex Proyas’ Dark City know that the Wachowskis, along with just about anyone else in Hollywood to make a sci- fi blockbuster in the past 2. Little seen in its day but widely influential, Dark City deserves the same reverence and classification as Blade Runner.

Both are overlooked masterpieces of sci- fi cinema. Also, like Blade Runner, Dark City takes the neo- noir approach to sci- fi. In a city that never sees a sunrise, a group of bald, mysterious men wander about drugging its inhabitants and manipulating their memories. Just what do they want, and how does an anxious scientist (played by Kiefer Sutherland in a marvelous, pre- 2. Dark City raises questions about how memories affect our emotions and how our minds create our own reality. The incredible art direction of the movie, employing lots of scarlet lips, black leather trench coats, fedoras, and strange clockwork machines should have won an Oscar and gets rehashed just about everywhere today. For a stroke of moviemaking brilliance, take a visit to Dark City.

AI: Artificial Intelligence. This long- in- development collaboration between Steven Spielberg and Stanley Kubrick hit theatres in 2. Boasting a remarkable cast, lead by Hayley Joel Osment, it left audiences frustrated and confused. Beautifully photographed and with two great performances by Osment and Jude Law, it offered a look into a technologically advanced world populated by companion robots. But what, if anything, was it trying to say about all of it? Audiences puzzled over the last 1. Osment’s robot protagonist David interacting with even more highly advanced robots, and scenes in which his human “mother” is cloned.

After fifteen years of debate, the perhaps overly- subtle meaning has started to become clear. The robots of the future are programmed to love humans, which have long gone extinct. David actually knew humans, and therefore is a kind of cybernetic messiah to these sentient toasters.

Taken in that way, the film examines the responsibility of humanity to its own creations. The movie might have been an instant classic upon its release had Spielberg focused more on the emotional attachments of humans to machines. But the director made a more unusual choice instead. Does that subtlety, or the focus on the plight of, well, A. I., make the film any less of a classic? The Dark Crystal. Now here’s a film that is totally, utterly, unique.

The Dark Crystal served as Muppet- mastermind Jim Henson’s attempt to branch off into more serious and fantastic filmmaking. The movie tells its story with just puppets; no humans ever appear on the screen. The puppetry, and the choice to tell a dark sci- fi/fantasy story put off audiences who were expecting the whimsy and slapstick of the Muppets. After doing moderate box office numbers and receiving mixed critical response, The Dark Crystal fell by the wayside. But the movie wouldn’t go away.