The Nice Guys is one of the Top 50 best reviewed movies of 2016, as you can read here: criticstop10.com.

Auden's poem . Playboy's Miss July 1. Karen Morton, cousin of 1. Elaine Morton. You know, women, free your minds, free your bodies, sleep with me. We're all happy and free as long as I can fuck as much as I want.

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• Both a biopic of a complicated man and an exploration of the gathering forces that converged to shape a new American cuisine and create the cult of "celebrity chef".
• The First Teaser for American Horror Story: Cult Tells Us Nothing, But It Sure Is Full of Creepy-Ass Clowns.
• After graduating from Cornell University with a degree in chemistry, Janet Reno (July 21, 1938-November 7, 2016) became one of 16 women in Harvard Law School’s.
• Westerns Channel Schedule in 2017 Click here to stop the background music with help from the good, the bad & the ugly.

A thorough guide to the absolute essentials in adult animated feature films. Cast and crew, reviews, plot summary, discussion, taglines, trailer, awards and nominations, trivia, and links from the Internet Movie Database.

The 3. 0 Best Movies of 2. Taste of Cinema. Now that the sun has set on 2. Taste of Cinema offers up our favorites from the exciting year that was. Admittedly, I was somewhat under the impression that 2. But, even a cursory glance down the list, and seeing such a miscellany of approaches, particularly in the top ten choices, is very promising.

To anyone of the opinion that 2. Even just narrowing the titles down to a workable 3. I cringe at the many worthy films that didn’t make the cut.

The films on this list show a wide- ranging assortment including auteur- driven films, populist fare, plentiful arthouse gems, genre films, and many magnificent female- led projects, too. May this be a refreshing and restorative sign of things to come. One quick note, and this is bound to cause a bit of a stir but yet it’s an important relation that needs addressing. Two films in particular, each highly acclaimed, have been omitted from this list for rather consequential reasons. Both Nate Parker’s The Birth of a Nation and, to a lesser extent (and this no doubt owing to Casey Affleck’s white male privilege) Kenneth Lonergan’s Manchester by the Sea, have both met much critical adoration while simultaneously courting controversy stemming from gross acts of misconduct and sexual assault from key creators of these respective projects. The details to these scandals are easily found in an online search, the specifics of which are terribly distressing, and since the victims and/or their families deserve whatever allowance and assurance can be allotted them, I’ll not be mentioning these films again on this list.

Without further ado, let the roundup commence, shall we? Another Evil. Another Evil, the debut feature from writer- director Carson Mell, is an eccentric, original, and gut- busting horror- comedy. Shot on a micro- budget this low- key comedy unravels like a mumblecore Ghostbusters. Cult Classics Movies Kong Skull Island (2017). After encountering a pair of gross J- horror- inspired ghosts in their cottage, a married California couple, Dan (Steve Zissis) and Mary (Jennifer Irwin) along with their teenage son, Jazz (Dax Flame) take action the only way they can. They track down a supposed expert on ghosts, an odd exorcist named Os Bijourn (Mark Proksch). Soon Dan and Os are doing really wild things to rid the entities and all the while Os seems determined to overshare his inner desires, grooming a reluctant Dan to be his new BFF.

The cast, particularly Dan Bakkendahl and Proksch, are hilarious, and Another Evil presents a steady stream of awkward laughs, creepy kicks, and heaps of droll subtlety. If you like cringe- y uncomfortable comedy combined with your horror, Another Evil is all you need. Hell or High Water. A deliberately listless West Texas setting is ideal for director David Mackenzie (Starred Up) and writer Taylor Sheridan’s (Sons of Anarchy, Sicario) neo- Western crime- spree thriller. Jeff Bridges is in fine form as a worn out Texas Ranger Marcus Hamilton, hot on the heels of small- time bank robbing brothers Toby (Chris Pine) and Tanner Howard (Ben Foster). An elegiac and intricate character study, marvellously buttressed by solid performances and stunning cinematography from Giles Nuttgens (The Deep End, God Help the Girl), Hell or High Water is a fatalistic tale of sincerity, mishap, and, ultimately, atonement.

Love & Friendship. Cultured satirist Whit Stillman (Metropolitan, Barcelona) offers perhaps his highest endeavor yet, and arguably one of the greatest Jane Austen adjustments ever with this adaptation of her 1. Lady Susan”. A period comedy full to burst with Stillman’s signature wordplay, this period comedy is a greathearted gift for lovers of witty dialogue and playful verbal sparring.

Reuniting with his intelligent leads from 1. The Last Days of Disco, Kate Beckinsale and Chlo. As the scheming, sardonic and manipulative Lady Susan Vernon, Beckinsale is note- perfect, fleecing even her bestie, the rather unsophisticated American Alicia Johnson (Sevigny), if it means assuring her daughter, Frederica (Morfydd Clark) find the right wealthy suitor. That’s an oversimplification, to be sure, as the large ensemble cast and many twists and unveilings reap numerous whoops and poetic rewards. Innuendo, argument, and conniving is rarely so entertaining. Bonus points to a comic turn from Tom Bennett as Sir James Martin that all but steals the show.

Love & Friendship is a warm and witty comic romp that’s as clever as it is quick, and an absolute pleasure for language lovers and catnip for Austen fanatics alike (who am I kidding, they’re often the same crowd!). The Eyes of My Mother.

From its opening frames through to its bleak finish, Nicolas Pesce’s directorial debut The Eyes of My Mother is perhaps the most disturbingly formidable horror film of the year. Pesce, who also wrote and edited the film, sustains a precise and extremely well- defined narrative clarity throughout even though he regularly strives for and achieves a nightmare logic that would make the likes of David Lynch drool with approval (and the gorgeous black- and- white cinematography from DP Zach Kuperstein adds to this otherworldly effect). Francisca (Kika Magalhaes) has a thorough understanding of human anatomy thanks to her mother, formerly a surgeon in Portugal, as well as a rather laissez- faire attitude towards death due to this discomfiting upbringing. After a particularly tragic event shatters her bucolic family life, Francisca grows up more than a little fucked up, disconnecting from the world in astonishing ways. The disquieting journey that Francisca takes the audience on attains a strange plateau between American Gothic and German Expressionism with shards of Park Chan- wook’s Oldboy in there, too. This is a startling and unforgettable film that signals the start of an impressive career from Pesce, and from the fearless Magalhaes as well. The Girl with All the Gifts.

Colm Mc. Carthy, of Peaky Blinders fame, offers up a tense, intelligent, chillingly provocative, and exciting British horror film in The Girl With All The Gifts. The zombie film that World War Z should have been, this film takes the overdone undead genre and resuscitates it, while also revamping a handful of well- established genre tropes––apocalypse premise, creepy kids, mad scientists––and tweaks them in eccentric, imaginative, and awesome new ways. Rings (2017) Movie Divx. Newcomer Sennia Nanua is wonderful as the titular heroine, Melanie, a second generation “hungry” who could hold the key to humanity’s future. The Girl With All The Gifts is a sharp synthesis of George Romero, Children of Men and 2. Days Later with it’s own biting revelations.

Genre fans rejoice! Personal Shopper. Expertly told, Olivier Assayas’ Personal Shopper is an eccentric ghost story. Gauging by the polarizing reactions it’s been amassing, it’s fair to say that this film is something of a misunderstood masterpiece, destined for celebrated cult standing and probably near universal plaudits when it’s reassessed a few years down the road.

Maureen Cartwright (Kristen Stewart, excellent) is a young American in Paris where she’s gainfully employed as a personal shopper to Kyra (Nora Von Waltst. Maureen is also a medium, grieving the recent death of her twin brother Lewis, with whom she is resolved to contact beyond the grave and find out if he’s at peace. Hitchcockian nods and genuflections abound, containing some genuine chills, and buoyed by a brilliant performance from Stewart, this film is an unpredictable enigma. Comparable to Assayas’ best work, this film often recalls the left field delights of Irma Vep (1. Pleasingly provocative and vigorously cool, Personal Shopper is something of a showpiece. Cosmos. Polish filmmaker Andrzej . Cosmos is a fitting, fucked up and funereal swansong from a cinematic legend.

Everybody Wants Some!! Writer/director Richard Linklater’s “spiritual sequel” to his 1.

Dazed and Confused, Everybody Wants Some!! It’s September 1.