The Walk Movie Review & Film Summary (2. In terms of sheer directorial craft, . Even in his less- than- great films, there are always two or three sequences that dazzle the viewer, often by evoking the sights and sounds of an extraordinary experience in such a way that you feel as if you're participating in them along with the characters. Advertisement. The final half- hour of .

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It's hard to imagine how it could have done a better job imagining every physical detail of the hero's unmatched physical achievement. Following the movie's New York Film Festival premiere, there were reports of people throwing up in the men's room after suffering virtual vertigo while watching Petit (played by Joseph Gordon- Levitt) stroll, turn and even lie down upon a cable stretched between the towers. In this respect, . Zemeckis is on a short list, along with Steven Spielberg and Alfred Hitchcock, of filmmakers who understand how to fuse audacity with simplicity, so that the scale of the flourishes in their biggest sequences is wed to recognizable emotions. He makes sure that you don't just understand how Petit did what he did, but what he might have been feeling during every step of his journey, and what he saw and heard. The metallic creak of the cable as Petit walks; the rustle and hiss of wind passing over his clothes and through his hair; the muffled sound of traffic noises floating up from 1. If only Zemeckis had faith in his filmmaking power!

Here is a movie about a man whose life was defined by a. North America's largest city) and who achieved that feat by trusting in his. But the script, credited to Zemeckis and Christopher Browne, begins diminishing his achievement immediately with tedious chatter, and can't stop doing it. The movie kicks off with a poorly CGI'd (for Zemeckis) shot of the hero standing in the. Mp4 Movies For Ipod This Is Not What I Expected (2017).

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In terms of sheer directorial craft, "The Walk" is masterful, but as storytelling, it's a near-disaster. If only Zemeckis had faith in his filmmaking power! What "The.

Statue of Liberty's torch with the Towers looming across the water. If the point were to show how the hucksterish aspect of Petit diminished. We're supposed to take everything Petit says. We're supposed to adore him. His narration is an. Advertisement. It keeps selling and selling and selling itself, telling you how amazing and wondrous everything is via voice- over and straight- into- the- camera narration, verbally explaining things that Zemeckis' images are already doing a peerless job of showing you, sometimes breaking the movie's spell by having the hero chime in with an observation that's nowhere near as eloquent as the sight of Petit doing what only Petit can do.

Petit's narration might be the most counterproductive and irritating narration ever to be glommed onto a potentially great motion picture. Suffering through it is like visiting the Grand Canyon or the Metropolitan Museum of Art with someone who keeps exclaiming how incredible and astonishing everything is every fifteen seconds, to the point where you want to leave and come back the next day by yourself so that you have an actual experience. The moment has the eerie mesmerizing power of an incantation, but sure enough, here comes Petit in voice- over telling us about how this bird came out of the clouds and hovered there over him and dammit, movie, don't you know we have eyes and ears? I don't believe in the admonition . Some of the greatest films in cinema history have active, insistent, even constant narration.

But such films are not just telling in place of showing. They're showing while they're telling and telling while they're showing, and the verbal component adds to, and often complicates or subverts, the images and sounds. Watch Churchill (2017) Hd. That's not the case here. Aside from a few practical observations about being an acrobat, there is nary a word of Petit's narration that couldn't be red- lined for redundancy. If what you want is to hear people talk about Petit (including Petit), you might as well buy a copy of the memoir upon which the .

Advertisement. Gordon- Levitt is verbally miscast (his Franch acc- SANT is too theatrical and might make you wish they'd cast an actual French actor) but physically convincing; you buy him as a man driven to achieve the impossible, and willing to do the hard work necessary to hone his skills, and you also believe him as a charismatic, selfish leader whose hint of madness is as attractive as it is troubling. But this is ultimately a frustrating work.

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